Skip to main content

NILE RODGERS : WHY HE HASN’T WORKED WITH MADONNA SINCE “LIKE A VIRGIN”

There were two things going on at the time that she would probably deny, but it’s absolutely the truth. She didn’t want to go out [on tour] without me as her musical director. Which is impossible, because I make records. So maybe in some strange way, she felt a little bit slighted or betrayed. That was a little bit of it.
madonna-nile-rodgers
Also, she had just married Sean [Penn], and Sean had a huge problem with my girlfriend at the time, even though, when they got engaged, they did it at her apartment. They were living at her apartment, all that sort of stuff. But sometimes that can backfire on you, and that’s what happened. So that had a little bit to do with it. She was incredibly loyal to Sean at the time. Of course, I’m going to be loyal to my girlfriend. So this is all stuff that nobody would think about, nobody would admit to. But it really is the absolute truth.
And then, probably, the biggest impediment was my deal, which was a massive deal, and it guaranteed that the next record would absolutely be the same. If you think about it from my point of view, I earned that. And I certainly had no reason to back down. “I just gave you a 20-something-million-selling record! Why should I take less?” But why should she pay more, now that she’s got a 20-something-million-record? That doesn’t make any sense.
So you put all of those things together. She and I have never talked about it, because I know I would stick to my guns. I’ve spoken to many people who were involved in the deal, and they said, “Oh, Nile, just be a bigger person.” And I’m saying, “Guys, it’s just technical. You have to put in context.” At the time, no one believed in her but me and a couple other people. I would love to work with Madonna again, but I certainly would absolutely say, “Here’s the contract, it’s already done. Let’s do this.” And she would probably say no, and I would understand that. I guarantee you she’s not paid anything like that ever since. But we never had a falling out, and we’re totally great friends. I don’t lament not working with Madonna at all. I don’t even think about it, until other people mention it.
Source : RollingStone

Comments

Popular posts from this blog

Madonna Nipple During Istanbul Concert

#Madonna Flashes Titty on #MNDAtour!!! Photos, Gifs and Full Video of  Human Nature  and  Like a Virgin :  Always the burlesque girl.

Madonna Started Filming The "Bedtime Story" Video on December 5 1994.

The inspiration behind the video. Hello everyone! This month’s music video to be analyzed is the for “Bedtime Story”, While this video is tricky for its various sources of inspiration, it’s one of her best, if not  the   best, and an underrated one by most fans. I am sure that, after reading all of this, you’ll find yourself more in love with the true artist Madonna really is. Madonna called upon “Rain” director Mark Romanek to do the music video for “Bedtime Story” after she saw what he had done with Nine Inch Nails’ “Closer”. As she always does, she listened to the song over and over again, trying to think of a concept for a video. The theme she held on to for this one was dreams, it’s meaning, concepts, imagery and works based on it. She’s a huge fan of surrealistic art, in which lots of paintings deal about dreaming, or allude to something unfathomable in real life. She held to that and brought that concept to Romanek, that really liked the idea and wanted to add ...

Rolling Stone - June 13, 1991 - Flesh and Fantasy - Big Time Girl Talk with Carrie Fisher

Madonna and I had met many times over the years, but we had never actually had a conversation. It took this interview to bring us together – she as icon, I as inquisitor of icon [after all, I have already distinguished myself as friend of icon, relative of icon and ex-wife of icon]. I had never done an interview before, and I don’t know that I will again. For me, this has all the makings of a waterloo. The first of the two sessions for this interview took place in the restaurant of the Four Seasons Hotel in Los Angeles. Madonna wore gold lame; I probably wore black. The last session took place in the offices of her manager, Freddy DeMann. Madonna wore a negligee; I probably wore black. I was late for that first meeting because a friend who had AIDS and who was staying with me had suddenly developed a fever. I called Madonna to say I was on my way. “You’re late,” she informed me. I explained about my friend. “Well, okay, that’s a good excuse,” she said. By the time of our fina...