February 13, 1999 // The music video for "Nothing Really Matters" premiered on MTV.

The music video was directed by Swedish director Johan Renck, and was released on February 13, 1999. Inspired by the Arthur Golden 1997 novel Memoirs of a Geisha, the video portrays Madonna as a geisha, dancing in a small room. The red kimono worn by her in the video was designed by French fashion designer Jean Paul Gaultier. It was worn by the singer during her performance of the song at the 41st Annual Grammy Awards. "Nothing Really Matters" is cited as one of Madonna's most underrated singles to date. The costume and music video has been cited by journalist and academics as one of Madonna's most iconic and best re-inventions.

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Madonna Nipple During Istanbul Concert

#Madonna Flashes Titty on #MNDAtour!!! Photos, Gifs and Full Video of Human Nature and Like a Virgin : Always the burlesque girl.

Madonna Started Filming The "Bedtime Story" Video on December 5 1994.

The inspiration behind the video. Hello everyone! This month’s music video to be analyzed is the for “Bedtime Story”, While this video is tricky for its various sources of inspiration, it’s one of her best, if not the best, and an underrated one by most fans. I am sure that, after reading all of this, you’ll find yourself more in love with the true artist Madonna really is. Madonna called upon “Rain” director Mark Romanek to do the music video for “Bedtime Story” after she saw what he had done with Nine Inch Nails’ “Closer”. As she always does, she listened to the song over and over again, trying to think of a concept for a video. The theme she held on to for this one was dreams, it’s meaning, concepts, imagery and works based on it. She’s a huge fan of surrealistic art, in which lots of paintings deal about dreaming, or allude to something unfathomable in real life. She held to that and brought that concept to Romanek, that really liked the idea and wanted to add ...

Rolling Stone - June 13, 1991 - Flesh and Fantasy - Big Time Girl Talk with Carrie Fisher

Madonna and I had met many times over the years, but we had never actually had a conversation. It took this interview to bring us together – she as icon, I as inquisitor of icon [after all, I have already distinguished myself as friend of icon, relative of icon and ex-wife of icon]. I had never done an interview before, and I don’t know that I will again. For me, this has all the makings of a waterloo. The first of the two sessions for this interview took place in the restaurant of the Four Seasons Hotel in Los Angeles. Madonna wore gold lame; I probably wore black. The last session took place in the offices of her manager, Freddy DeMann. Madonna wore a negligee; I probably wore black. I was late for that first meeting because a friend who had AIDS and who was staying with me had suddenly developed a fever. I called Madonna to say I was on my way. “You’re late,” she informed me. I explained about my friend. “Well, okay, that’s a good excuse,” she said. By the time of our fina...

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