Madonna Extreme

Madonna on Rosie O'Donnell Show 1998 Full Show + Frozen Click Here..

Here’s an excerpt of the article about Madonna as a mother: With the Sexcapades, Scandals and Wild Times Behind Her, Pop’s Former Boy Toy Tackles the Roles of Adoring Mother and Mature Woman in Love. “This is Lola,” Madonna announces as Lourdes Maria Ciccone Leon bounds into the sitting room of her mother’s four-story mansion, a reported $15,000-a-month rented home in Kensington, London, where the singer is currently recording her 13th album. “No,” the wide-eyed 3-year-old declares. “I’m an alien.” Madonna scoops up Lourdes (whom she always calls by her nickname, Lola) for a kiss and a hug and joyfully enters her world of make-believe. When Lourdes tells Madonna she’s wearing “alien gloves” with magic powers, Mom uses them to turn her daughter first into a princess, then a frog, then back into a princess. Madonna now wants her little girl to return the favor: “Can you turn me into something?” she asks. By most accounts she already has. Lourdes, whose father is Madonna’s...

Madonna had collaborated with  Alek Keshishian  already for  Truth Or Dare  and the video for  This Used To Be My Playground . Keshishian was the producer of 'With Honors' so it was quite logical that he produced the video for I'll Remember as well. It consists of images from the movie as well as Madonna singing in a recording studio. 

Live To Tell After 30 years of provocation, a fiery Madonna explains why she isn’t nearly done pushing limits. “She’s coming out,” a choreograph says over P.A. system, sounding tense. “Everyone gets your horns and masks on.” A couple of nights before the Grammys, 22 shirtless, flawlessly fit male dancersm each equipped with a bejeweled face mask and hazardous-looking black bull’s horns, line up on a reharsal-studio stage within Sony Pictures’ Culver City lot, awaiting inspection. madonna struts out of a dressing roomfar across the studio, dressed in a matador outfit, sans pants. Trailed by a hairstylist and a makeup artist, she spends at least 30 seconds eyeing each dancer, probing for any tiny imperfections in the fit of their leather costumes and masks. “I don’t want oil on their bodies,” she notes. “I had the same problem on the video. You can use body moisturizer.” Twenty-eight choral singers, most of them less finely sculpted specimens, assemble by the...